• Class anxiety, gentrification, and bodily space in panels (possibly as compared to Lucky)
• Alcohol or substance use as a character (separate from and merging with Wertz)
• Interior architectural space (rooms and furniture, perhaps as compared to Special Exits and Lucky
• Collaborative drawing (Laura and Julia's panels on page 166)
• Drawings that include labels standing in for objects or concepts (i.e. "Freelance Factory," page 112)
• Light and shading (or the absence thereof), hatching, cross-hatching, heavy and light inking
• News coverage, the economy, and depression
• The function of song lyrics (as compared to Persepolis)
• Sherlock Holmes Mystery Theater
• Realism of most of the book vs "The Ambush" (90), "Bad Brains" (91), and "The Amazing
Adventures of The Wayward Wallet" (183)
• Humor as a literary tool
• The overall effect of the simplicity of the artwork on the reader
• Compatibility and tension between the title and content of the memoir
• Landlord stereotypes (p. 23) and diversity
• Wertz's decision to present her future in the epilogue-style "If Only I Knew Then..." section on page
187, as opposed to expanding her book to include it in further panels
See you Tuesday!
• Alcohol or substance use as a character (separate from and merging with Wertz)
• Interior architectural space (rooms and furniture, perhaps as compared to Special Exits and Lucky
• Collaborative drawing (Laura and Julia's panels on page 166)
• Drawings that include labels standing in for objects or concepts (i.e. "Freelance Factory," page 112)
• Light and shading (or the absence thereof), hatching, cross-hatching, heavy and light inking
• News coverage, the economy, and depression
• The function of song lyrics (as compared to Persepolis)
• Sherlock Holmes Mystery Theater
• Realism of most of the book vs "The Ambush" (90), "Bad Brains" (91), and "The Amazing
Adventures of The Wayward Wallet" (183)
• Humor as a literary tool
• The overall effect of the simplicity of the artwork on the reader
• Compatibility and tension between the title and content of the memoir
• Landlord stereotypes (p. 23) and diversity
• Wertz's decision to present her future in the epilogue-style "If Only I Knew Then..." section on page
187, as opposed to expanding her book to include it in further panels
See you Tuesday!
No comments:
Post a Comment