I am assiduously avoiding (here) all the ways in
which this book spoke to me and am instead going off on a tangent and
dragging you with me. I have compiled a vocabulary list of the all the words in
Fun Home that I did not know, were
forms I did not recognize, and words I needed to be reminded of.
I was struck by Bechdel’s strong use of vocabulary
that is not “everyday words” and recognize that the “new-to-me-word” ratio is
very high in this text. If anyone were
to consider the graphic memoir an easy read because of the pictures, this text deflates
that argument. Not just by the vocabulary,
but also by the literary references that span from Greek mythology to the 20th
century.
legerdemain |ˌlejərdəˈmān, ˈlejərdəˌmān|
noun
skillful use of one's hands when performing
conjuring tricks.
Daedalus |ˈdedl-əs|Greek Mythology
a craftsman, considered the inventor of carpentry,
who is said to have built the labyrinth for Minos, king of Crete. Minos
imprisoned him and his son Icarus, but they escaped using wings that Daedalus
made and fastened with wax. Icarus, however, flew too near the sun and was
killed.
simulacrum |ˌsimyəˈlākrəm, -ˈlak-|
noun ( pl. simulacra |-ˈlākrə,
-ˈlakrə| or simulacrums )
an image or representation of someone or something:
a small-scale simulacrum of a skyscraper.
• an unsatisfactory imitation or substitute: a
bland simulacrum of American soul music.
buss |bəs| archaic or informal
noun
a kiss.
verb [ with obj. ]
kiss.
ORIGIN late 16th cent.: alteration of late Middle
English bass (noun and verb), probably from French baiser,
from Latin basiare .
suffuse |səˈfyo͞oz|
verb [ with obj. ]
gradually spread through or over: her cheeks
were suffused with color | the first half of the poem is suffused with
idealism.
DERIVATIVES
suffusion |-ˈfyo͞oZHən|noun,
inure |iˈn(y)o͝or|(also enure
)
verb
1 [ with obj. ] (usu. be inured
to) accustom (someone) to something, esp. something unpleasant: these
children have been inured to violence.
2 [ no obj. ] (inure for/to)
Law come into operation; take
effect: a release given to one of two joint contractors inures to the
benefit of both.
carom |ˈkarəm|
verb [ no obj. ]
make a carom; strike and rebound.
-valent
comb. form
1 having a valency of the specified
number: trivalent.
qualm |kwä(l)m, kwô(l)m|
noun
an uneasy feeling of doubt, worry, or fear, esp.
about one's own conduct; a misgiving: military regimes generally have no
qualms about controlling the press.
• a momentary faint or sick feeling.
DERIVATIVES
qualmish adjective
doleful |ˈdōlfəl|
adjective
expressing sorrow; mournful: a doleful look.
• causing grief or misfortune: doleful
consequences.
noblesse |nōˈbles|
noun
the nobility.
PHRASES
noblesse oblige |nōˈbles ōˈblēZH|the inferred
responsibility of privileged people to act with generosity and nobility toward
those less privileged: there was to being a celebrity a certain element of
noblesse oblige.
discomfit |disˈkəmfit|
verb ( discomfits, discomfiting , discomfited
) [ with obj. ]
make (someone) feel uneasy or embarrassed: he
was not noticeably discomfited by her tone.
epistle |iˈpisəl|
noun
formal
a letter.
• a poem or other literary work in the form of a
letter or series of letters.
effloresce |ˌefləˈres|
verb
1 [ no obj. ] (of a substance) lose
moisture and turn to a fine powder upon exposure to air.
• (of salts) come to the surface of brickwork,
rock, or other material and crystallize there.
• (of a surface) become covered with salt
particles.
2 reach an optimum stage of
development; blossom: simple concepts that effloresce into testable
conclusions.
DERIVATIVES
efflorescence |-ˈresəns|noun,
fecund |ˈfekənd, ˈfē-|
adjective
producing or capable of producing an abundance of
offspring or new growth; fertile: a lush and fecund garden | figurative : her fecund imagination.
• technical (of a
woman or women) capable of becoming pregnant and giving birth.
DERIVATIVES
fecundity |feˈkəndətē, fiˈkən-|noun
onomatopoeic
onomatopoeia |ˌänəˌmatəˈpēə, -ˌmätə-|
noun
the formation of a word from a sound associated
with what is named (e.g., cuckoo, sizzle).
• the use of such words for rhetorical effect.
prestidigitation |ˌprestəˌdijəˈtāSHən|
noun
formal
magic tricks performed as entertainment.
humectant |(h)yo͞oˈmektənt|
adjective
retaining or preserving moisture.
noun
a substance, esp. a skin lotion or a food additive,
used to reduce the loss of moisture.
succor |ˈsəkər|(Brit. succour )
noun
assistance and support in times of hardship and
distress.
• (succors) archaic
reinforcements of troops.
postlapsarian |ˌpōstlapˈse(ə)rēən|
adjectiveTheology or literary
occurring or existing after the Fall of Man.
lissome |ˈlisəm|(also
chiefly Brit. lissom )
adjective
(of a person or their body) thin, supple, and
graceful.
crepuscular |krəˈpəskyələr|
adjective
of, resembling, or relating to twilight.
• Zoology (of an
animal) appearing or active in twilight.
bathetic |bəˈTHetik|
adjective
producing an unintentional effect of anticlimax:
the movie manages to be poignant without becoming bathetic.
solipsism |ˈsälipˌsizəm|
noun
the view or theory that the self is all that can be
known to exist.
DERIVATIVES
solipsist noun,
solipsistic |ˌsälipˈsistik|adjective,
autodidact |ˌôtōˈdīˌdakt|
noun
a self-taught person.
mori
onerous |ˈōnərəs, ˈänərəs|
adjective
(of a task, duty, or responsibility) involving an
amount of effort and difficulty that is oppressively burdensome: he found
his duties increasingly onerous.
• Law involving
heavy obligations: an onerous lease.
deracinate |diˈrasəˌnāt|
verb [ with obj. ] literary
tear (something) up by the roots.
DERIVATIVES
deracination |-ˌrasəˈnāSHən|noun
dishabille |ˌdisəˈbēl|(also deshabille
)
noun
the state of being only partly or scantily clothed:
the relaxed dishabille of Lely's portraits.
mien |mēn|
noun
literary
a person's look or manner, esp. one of a particular
kind indicating their character or mood: he has a cautious, academic mien.
disport |disˈpôrt|
verb [ no obj. ] archaic
or humorous
enjoy oneself unrestrainedly; frolic: a painting
of lords and ladies disporting themselves by a lake.
approximant |əˈprɒksɪm(ə)nt|
noun
1 Mathematics
a function, series, or other expression which is an approximation to the
solution of a problem.
2 Phonetics
a consonant produced by bringing one articulator (the tongue or lips)
close to another without actually touching it, as in English r and w .
fricative |ˈfrikətiv|Phonetics
adjective
denoting a type of consonant made by the friction
of breath in a narrow opening, producing a turbulent air flow.
lacuna |ləˈk(y)o͞onə|
noun ( pl. lacunae |-nī, -nē| or lacunas
)
an unfilled space or interval; a gap: the
journal has filled a lacuna in Middle Eastern studies.
• a missing portion in a book or manuscript.
• Anatomy a cavity
or depression, esp. in bone.
tautology |tôˈtäləjē|
noun ( pl. tautologies )
the saying of the same thing twice in different
words, generally considered to be a fault of style (e.g., they arrived one
after the other in succession).
• a phrase or expression in which the same thing is
said twice in different words.
• Logic a
statement that is true by necessity or by virtue of its logical form.
divagate |ˈdīvəˌgāt|
verb [ no obj. ] literary
stray; digress: Yeats divagated into Virgil's
territory only once.
DERIVATIVES
divagation |ˌdīvəˈgāSHən|noun
Scylla |ˈsilə|Greek Mythology
a female sea monster who devoured sailors when they
tried to navigate the narrow channel between her cave and the whirlpool Charybdis.
In later legend Scylla was a dangerous rock, located on the Italian side of the
Strait of Messina.
Charybdis |kəˈribdis, CHə-|Greek Mythology
a dangerous whirlpool in a narrow channel of the
sea, opposite the cave of the sea monster Scylla.
obtund |äbˈtənd|
verb [ with obj. ] dated, chiefly
Medicine
dull the sensitivity of; blunt; deaden.
consubstantial |ˌkänsəbˈstanCHəl|
adjective
of the same substance or essence (used esp. of the
three persons of the Trinity in Christian theology): Christ is consubstantial
with the Father.
I love this and your brain. Thanks. How did reading these words affect you? And why do you think she chose to use them? Do you think she talks like this? Id this how her father talked?
ReplyDeleteI'll say two things:
1. I fell into the old pattern of skipping over the words and references I didn't know but then the references were so integral to the book I had to slow down and go over them.
2. I don't think Bechdel talks like this (I saw her speak once and she didn't sound like this) and I'm sure she has multiple reasons for using these words, but I am guessing one is that by using these words and references this piece becomes more of a text, a tome, something to ponder and luxuriate over. She's mimicking the thing her and her father had a shared romance with: reading.